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(1995) Cultural Politics Volume 10.Spectacles of Realism. Gender, Body, Genre. U.S.A.: University of Minnesota Press. Cover, R. (2003) The Naked Subject: Nudity, Context and Sexualization in Contemporary Culture. Body and Society. Vol. 9, No 3, Pages 53 – 71. Derrida, J. (2000) Limited Inc. Illinois, U.S.A.: Northwestern University Press. Douglas, M. (1979) Purity and Danger. London: Routledge and Kegan Paul. Featherstone, M., Hepworth, M. & Turner, B. (eds.) (2001) The Body. Social Process and Cultural Theory. London: Sage Publications. Feher, M., Naddoff, R. & Tazi, N. (eds.) (1990) Fragments For A History of the Human Body Part Two. New York U.S.A.: Zone. Fillingham, L. (1993) Foucault For Beginners. New York: Writers & Readers Pub. Foster, H. (1996) The Return of the Real. U.S.A.: Massachusets Institute of Technology. Franko-b. 2003. Interview. Interview by Gray Watson 13.6.2000 [online] Artists own web site. [Accessed 4 June 2003] Freud, S. (1991) Volume 12. Civilisation, Society and Religion. London: Penguin. Harradine, D. (2000) Abject Identities and Fluid Performances: Theorising the Leaking Body. Contemporary Theatre Review. Vol. 10, Part 3, p.69 – 85. Heathfield, A. (ed.) (2003a) Live Culture. London: Tate Pub. Heathfield, A. (2003) Performance at the Limit. Lecture series 2 – 23 June 2003. Lecture notes week 4, 23.6.2003. London: Tate Modern. HyperDictionary. 2003. Limen. [online] Available from: http://www.hyperdictionary.com/dictionary/limen [Accessed 25 November 2003] Keidon, L. & Morgan, S. (1998) Franko B. London: Black Dog Pub. Kristeva, J. (1982) Powers of Horror An Essay on Abjection. New York: Columbia University Press. Meecham, P. & Sheldon, J. (2000) Modern Art: A Critical Introduction. London: Routledge. O`Reilly, S. (2003) Live and Kicking. Art Monthly. No.266, 05/03, Pages 1-5. Oliver, J. (2003) The Brander. The Observer, Body Uncovered. 26.10.03, p.24. Poster, M. (ed.) (2001) Jean Baudrillard Selected Writings. Oxford: Polity Press in association Blackwell Pub. Smith, A-M. (1998) Julia Kristeva Speaking the Unspeakable. London: Pluto Press. Tucker, M. (1992) Dreaming With Open Eyes. London: Acquarian/Thorsons. Warr, T. (ed.) & Jones, A. (2000) The Artist’s Body. London: Phaidon Press. B: Other Reading Abramovic, M. (1995) Cleaning the House. London: Academy Editions. Archer, M., Brett, G. & de Zegher, C. (1997) Mona Hatoum. London: Phaidon. Barton, L. (2003) Flight from Reality. The Guardian Weekend Magazine. 16.8.03 Pages 14 – 19. Branaman, A. (2001) Self and Society. Oxford: Blackwell Pub. Brown, S. (2001) Sacred & Profane Exhibition Catalogue. Sheffield Galleries and Museums Trust. Butler, J. (1993) Bodies That Matter: on the Discursive Limits of ‘Sex’. London: Routledge. Carlson, M. (1996) Performance A Critical Introduction. London: Routledge. Deleuze, G. (1999) Masochism. Coldness and Cruelty. New York: Zone Books. Farquharson, A. (2003) Action Replay. Frieze. Issue 77, Sept.2003, p.52-53. Fletcher, J. & Benjamin, A. (1991) Abjection, Melancholia and Love the work of Julia Kristeva. London: Routledge. Goldberg, R. (1998) Performance. Live Art Since The 60s. London:Routledge. Goldberg, R. (2001) Performance Art From Futurism to the Present. London: Thames & Hudson. Graham, G. (2002) Philosophy of The Arts. An introduction to Aesthetics. London: Routledge. Hart, L. (1995) Blood, piss and tears: the queer real. Textual Practise. Vol.9, No.1, p. 55-66. Hollingdale, R. (Tr.) (1977) A Nietzsche Reader. London: Penguin Books. Horlock, M., Parkin, M., Rattee, K. & Stout, K. (2002) Self Evident: the artist as the subject 1969 – 2002. London: Tate Pub. Jones, A. (1998) Body Art. Performing The Subject. Minneapolis: University of Minnesota Press. Jones, A. & Stephenson, A. (1999) Performing The Body Performing The Text. London: Routledge. Julius, A. (2002) Transgressions The Offences of Art. London: Thames & Hudson. Kaprow, A. & Kelley, J. (ed.) (1996) Essays onThe Blurring of Art and Life. London: University of California Press Ltd. Lane, J. & Phelan, P. (eds.) (1998) The Ends of Performance. New York; London: New York University Press. Lippard, L. (1983) Overlay. New York: The New Press. McHoul, A & Grace, W. (1997) A Foucault Primer. New York: New York University Press. Metamorphing (2002) Exhibition catalogue. Science Museum, London. Miglietti, F. (2003) Extreme Bodies. The Use and Abuse of the Body in Art. Milan: Skira Editore S.p.A. Miller, J-A. (ed.) (1998) Jacques Lacan The Four Fundamental Concepts of Psycho-analysis. London: Vintage. Muri, A. (2003) Of Shit and the Soul: Tropes of Cybernetic Disembodiment in Contemporary Culture. Body and Society. Vol.9, No.3, p.73 -91. O`Neill, J. (1972) Sociology as a Skin Trade. London: Heinemann Educational Books. Phelan, P. & Heathfield, A. (2001) Blood Math. Cultural Studies 15. No.2, p.241-257 Quick, A. (1994) Searching for Redemption with Cardboard Wings: Forced Entertainment and the Sublime Contemporary Theatre Review. Vol.2, 2, p.25-35. Scarry, E. (1987) The Body In Pain. Oxford: Oxford University Press. Schwarz, A. (2000) The Complete Works of Marcel Duchamp. New York: Delano. Greenidge Editions. Vergine, L. (2000) Body Art and Performance. The Body as Language. Milan: Skira Editor. |
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Copyright © Franko B 2007
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